“Perhaps,” he queried, “you wish to avoid being seen about with any one—er— connected with the profession, under present circumstances. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. She fidgeted and looked away. She hoped that Shari would not be too brokenhearted about her disappearance.
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