While the cloth was laid, the host and Thames descended to the cellar, whence they returned, laden with a number of flasks of the same form, and apparently destined to the same use as those depicted in Hogarth's delectable print—the Modern Midnight Conversation. She trailed him to his apartment and a black door that read 727 in solemn gold-tone lettering. She asked no further questions for the moment. “It is the same man, Annabel,” she said.
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