Their laughter, together with the agonized yowling of the dog, drew a circle of wondering natives; and at length McClintock himself came over to see what the racket was about. “Dear me! I wonder what I ought to do. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. You know that I am practically destitute, without means or any certain knowledge of where my next meal is coming from. Gray and tranquil world! Amazing, passionless world! A world in which days without meaning, days in which “we don’t want things to happen” followed days without meaning—until the last thing happened, the ultimate, unavoidable, coarse, “disagreeable.
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