‘Well, what was I to think, miss? Martha never wrote nothing about you, and I did ask. “I am going through the other rooms. ” “Really,” she said, with a hard little laugh, “you must regard me as a very goodnatured person. And I affirm to you, on my own conviction, that she who falls, because she has not strength granted her to struggle with affliction, may be reclaimed,—may repent, and be forgiven,—even as she, whose sins, 'though many, were forgiven her'. The only thing that was louder to her was the beating of his heart. “Martin, I don’t know what to say. She would rend him limb from limb like a fiend if only she could move. I’ve just finished my first symphony!” He said proudly. “I never wanted to kick any one so much in my life as that second fellow. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare. Her thoughts were busy with the possibilities of this break in her journey. "Suppose we go and have tea? I'd like to take you to a teahouse I know, but we'll go to the Victoria instead.
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