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But here was new music, tender and kindly and whimsical, that first roved to and fro in the mind and then cuddled up in the heart. She drifted, via Theobald’s Road, obliquely toward the region about Titchfield Street. A feeling of inexplicable awe crept over the carpenter as the sounds died away. Spurlock (himself verging upon the hysterical) welcomed the diversion. An influence of this description appeared to be exerted on the present occasion. He laughed at her heartily, and she laughed too as she had not for a year. “Can’t you believe me? I am Meysey Hill. Sometimes it seemed to him that he was an impostor: that Ruth believed him to be one Howard Spurlock, when he was only masquerading as Spurlock. It is for that reason that this novel begins with her there, and neither earlier nor later, for it is the history of this crisis and its consequences that this novel has to tell.
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