The poet's appearance altogether was highly prepossessing. ‘Don’t try to turn it off,’ ordered Miss Froxfield. She was aware of him—a silk-hatted, shiny-black figure on the opposite side of the Avenue; and then, abruptly and startlingly, he crossed the road and saluted and spoke to her. She was dressed in one of those complicated dresses that are all lace and work and confused patternings of black and purple and cream about the body, and she was in many ways a younger feminine version of the same theme as himself.
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