‘To go to these Charvill, it was not in my plot. One of these, a lady, evidently a confirmed invalid, and attired in deep mourning, reclined upon a sort of couch, or easy chair, set on wheels, with her head supported by cushions, and her feet resting upon a velvet footstool. It wailed at Lucy, chubby arms reaching towards her, pleading. She wondered even at this late day how she had been able to hold her maddening curiosity in check. Rather would I have gone with Leonardo—and he wished me to do so. Not many years ago, two men, employed on this duty, quarrelled during the night, and in the morning their bodies were found stretched upon the pavement of the yard beneath. Her eyes were lit with a gleam of humour. For all the enervating heat, he applied himself vigorously to his tasks. The thought allured him, and therein lay the danger. He had been ill; no matter about that: he recollected every thought that had led up to it and every act that had consummated the deed. "I don't understand you, gentlemen," stammered he, at length. All through the love music of the second act, until the hunting horns of Mark break in upon the dream, Ann Veronica’s consciousness was flooded with the perception of a man close beside her, preparing some new thing to say to her, preparing, perhaps, to touch her, stretching hungry invisible tentacles about her. That her husband was not touching her anymore grew to be like a disease, something to be cured.
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